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Laura Kaminsky, Associate Artistic Director

More Than Simply Schumann

By Laura Kaminsky, Associate Artistic Director
Published on March 10, 2010

Robert Schumann, the quintessential Romantic, turns 200 this year. In collaboration with Concert Artists Guild, we’re celebrating the beauty and depth of his smaller works in Simply Schumann, a mini marathon that takes you inside the mind of this highly eccentric, idiosyncratic composer.

In his book Outliers, Malcolm Gladwell comes to the conclusion that in order to reach success in your craft, you need 10,000 hours of practice. Gladwell claims that greatness requires enormous amounts of time, and perhaps Schumann knew about this rule before Gladwell. While he was a virtuoso pianist as well as composer, his performing career was curtailed when he permanently injured his hands by excessive and dangerous practicing.

His romance with the talented pianist and composer Clara Wieck, who became a champion of his compositions, and her lifelong relationship with the younger composer Johannes Brahms, whose emergence on the music scene was widely supported by Schumann, is the stuff of romance novels. Schumann’s own decline from syphilis led to an untimely death in an asylum, but his creative output was powerful nonetheless. The concert at Symphony Space features some of Schumann’s solo piano music, smaller works for chamber ensemble and songs, music of a highly personal nature, offered by some of today’s leading artists.

If you’d like to come and experience Simply Schumann, there are tickets still available. The evening starts at 5:00 pm with a discussion I’m moderating with a panel of pianists Tanya Bannister, Michael Boriskin, Soyeon Lee, and Rorianne Schrade. The music portion of the evening starts at 6:00 pm. You can find the full schedule on the Simply Schumann event page.

Rob Blatt, Web Producer

Win a Pair of Tickets to Apartments and Neighbors!

By Rob Blatt, Web Producer
Published on March 10, 2010

The average American moves 11.7 times in his or her lifetime, but I’m willing to bet that number is much higher for New Yorkers. On April 7, Selected Shorts presents Apartments and Neighbors, an evening of tales from Raymond Carver, Sigizmund Krzhizhanovsky and others about the mysterious, curious or just plain insane people we live close to.

We are giving away a pair of tickets to the Apartments and Neighbors event to the person who writes in with the most humorous or horrific story about their experiences with their apartments, landlords or neighbors. The winner will be chosen on March 31, and the story will be posted to our blog on April 1.

Special Guest from The Moth - Sarah JonesTo enter the contest, send an email to contest@symphonyspace.org that includes your name and your 500 word maximum story. We’ll judge the stories and the author of the best one will win a Selected Shorts CD and a pair of tickets to see special guest storyteller from The Moth: the Tony and Obie Award-winning playwright and actress Sarah Jones (Bridge and Tunnel, pictured at right), David Rakoff, Thalia Follies star Leenya Rideout and Selected Shorts host Isaiah Sheffer on April 7th.

To help get you in the spirit of the contest, the Symphony Space staff and interns will be posting humor and horror stories starting this week and ending on March 31st. Check back soon!

Note that this contest is separate from the Selected Shorts writing contest, for which the submission period has ended. If you entered the writing contest, you are free to enter this contest as well.

Ed Budz, Director of Film Programs

Independents and the Oscars

By Ed Budz, Director of Film Programs
Published on February 11, 2010

While the Academy Awards is much more a celebration of big Hollywood movie-making and therefore the top awards of Best Picture, Best Director, Best and Supporting Actors and Actresses generally go to big films: there still is a chance for smaller independents to grab the golden ring in the best Foreign Film, Best Documentary, Best Animation, Best Short Film categories.

For Best Doc Feature nominees, we played Food Inc and have The Most Dangerous Man in America coming in March. Last year, we had played three of the five nominees in this category. Yes, Virginia, the public does want to know about issues that affect our lives! The fact that Docs are more readily available in theatres and on cable and DVD is a testament to that and is one reason we’re giving greater focus to Docs in our film program. Too many of these funny, moving, illuminating stories only see the light of day in festivals or in very short theatrical runs.

Of course, winning awards are not what makes a film great, but it sure helps get more people to see the films and help in funding future projects. Films about current events – politics, global warming, natural disasters, discrimination and war to name a few – can, at their best, illuminate the best and worse of humanity, inform us, and sometimes make us see the world differently. Some of the best films I have ever seen at festivals or in theatres were films I took a chance on. Either I had some time to kill or I went along for the ride because someone else suggested something. So find a critic who resonates for you and go to the theatres where you’ve enjoyed what you see and take a chance on something new. You may be pleasantly surprised.

Laura Kaminsky, Associate Artistic Director

Meet the music makers of our time

By Laura Kaminsky, Associate Artistic Director
Published on January 22, 2010

Music pervades our world, yet the men and women who create the sounds we hear are often unsung. Composers Now is a weeklong festival presented collaboratively by a number of organizations citywide offering concerts, lectures, conversations, and other activities that highlight the contribution composers make to the cultural fabric of our lives. Composers Now puts a public face on the vitality, diversity, and innovations that composers bring to our communities.

Composers Now: The origins

Composers Now was born shortly after the 2008 collapse on Wall Street when composers Tania León and I were having dinner, and the conversation veered from the recession to Cuba after Castro to the show at the Met to Michelle Obama’s hairstyle to the challenges that each composer faces when he or she is alone, facing the empty manuscript page, and wondering, “What am I going to say in this piece??” We talked about how invisible composers are in the societal and cultural fabric as compared to writers and visual artists.

Composers are the invisible members of the musical ecosystem. We see the performers who play the music, but we almost never see, talk to, and get to know the people who created the music being performed, the people whose stories are being told. Most of us never meet the composer who lives next door to us, sits next to us on the subway, stands ahead of us on the line at the deli, or works out with us at the gym.

Tania said that composers need what the poets have: a whole month and a Poet Laureate. People know that poets write words that touch us. Nobody thinks about composers; they just think the music is there without thinking about where it came from. We need to do something about this. Read More »

Opera’s Unlikely Embrace of the Telecast

By Symphony Space
Published on January 19, 2010

The following article ran in The New York Times on Jan 13, 2010. Click here to see the 2010 season of Opera in HD screenings.

The Metropolitan Opera has scant reputation as a cutting-edge institution, but it knows how to reap the benefits of technology. Since 1930 its Saturday broadcasts have converted untold numbers of listeners into rabid opera fans. And in 1977 a landmark telecast of “La Bohème” initiated PBS’s “Live from the Met” series.

When four years ago the Met’s new general manager Peter Gelb announced plans to transmit opera performances to movie theaters, many were skeptical. Hadn’t Rudolf Bing tried that back in the 1950s? But the idea caught on big time and sent opera companies around the world scrambling to get their product into cinemas.

Many European opera companies turned to Emerging Pictures, a New York-based company that was founded in 2003 to distribute high density transmissions of independent films and special events, including rock concerts, dance and even opera. The company had worked with the Met during the latter’s first season of video transmissions, but its network of venues consisted mainly of arts-oriented theaters and institutions. So, when the Met, having decided to cultivate traditional multiplexes, chose NCM Fathom, a division of National CeneMedia, as its exclusive distributor, Emerging Pictures turned to Europe.
Read More »

Eric Poindexter

The best diverse programming in the city

By Eric Poindexter
Published on January 12, 2010

I have now lived in New York for about 7 years and pride myself on being an avid theater attendee, but it was not until I joined the Box Office team at Symphony Space that I was introduced to an organization that provided such a wide variety of programs. Many of the programs, of course, are Symphony Space-produced and have a well-established reputation of being high-quality entertainment or very provocative and intellectual programs, such as Selected Shorts and Thalia Book Club, or my personal favorite, The Thalia Follies! Read More »

Brian Heck

Movin’ Right Along, Fozzie

By Brian Heck
Published on December 22, 2009

mrt_muppetsWhile I wouldn’t necessarily call myself a Muppet “expert,” I’m certainly considered the go-to guy for Muppet information on the Symphony Space staff. I guess the stuffed dolls of Animal, Bert, Scooter, and Oscar on my desk gave me away. I have my mother to thank, who fed me a steady diet of Muppets all through my childhood in the late 70s and early 80s. I’m not ashamed to admit that I had a subscription to Sesame Street Magazine, and later graduated to Muppet Magazine. Here’s the cover of one of my favorite issues of Muppet Magazine, one that showed kids how to dress up like Michael Jackson, Boy George, and Madonna for Halloween, and gave us the hot-off-the-press lyrics to Weird Al’s “Eat It” and “I Love Rocky Road.” What exactly the Muppets had to do with any of this, I’m still not sure. Read More »

Gavin Creel review

By Tim Croner
Published on December 14, 2009

This guest entry was written by Tim Croner, who blogs about New York theatre at thoughtsofatheatregeek.blogspot.com.

I had the pleasure of seeing Gavin Creel and his songwriting partner Robbie Roth perform Dec 7 at Symphony Space, and I couldn’t have asked for a better Monday night. Just wanted to take a few moments to record some of my favorite moments:

Gavin sang two Christmas songs, “Little Drummer Boy” and “Have Yourself a Merry Little Christmas”, and they both sounded amazing. I especially enjoyed “Little Drummer Boy” — Gavin’s voice and the acoustic arrangement were perfect for the song. Lovely. Read More »

Isaiah Sheffer

Selected Shorts Tours the Far West: Part 3 of 3

By Isaiah Sheffer
Published on November 26, 2009

This is the third in a three-part series of entries. Read part one here, and part two here.

Trip #2: Whitefish, Montana

A few days of Thalia Follies rehearsal in NYC and then it was back on the road, or rather the airways, this time to be the guest of Montana Public Radio.  Our earlier Montana trips in past seasons have taken us to Missoula, the university town, and Helena, the state capital.  This time the plan was to have us do Billings, preceded by Whitefish, but the Billings people ran out of funding for now, so it was a long trip to read short stories in a tiny town on the edge of Glacier National Park in the very northwest corner of the state of Montana  (this was the REAL Upper West Side!).  In my boorish Manhattan provincialism I had joked that I had never heard of Whitefish, thought it was only an offering adjacent to the creamed pickled herring in the Zabars’ showcase, but I was to learn that it is a stunningly beautiful ski resort in winter, lake resort in summer, and a place that is proud of its lovely theatre, it’s historic Amtrak station of the Northern Pacific Railroad, its beautiful library, and its impressive literary quarterly, The Whitefish Review.  Didn’t I tell you travel was broadening? Read More »

Lindsay Bernier

Fiction and Photography

By Lindsay Bernier
Published on November 20, 2009
At the private exhibition viewing at The Met

At the private exhibition viewing at The Met

When I began my tenure as a Symphony Space intern two months ago, one event jumped out as I studied the upcoming months’ schedules: Selected Shorts’ Fiction and Photography: Robert Frank at The Metropolitan Museum of Art. After all, photography was one of my concentrations in college, and no one makes it through one photo class (let alone eight) without learning about Frank and his series “The Americans.”

Wednesday night, we braved the packed crosstown bus and made our way to the Metropolitan Museum of Art for a private viewing of the exhibit. The indelible images I’d seen in books or accompanying articles, the noteworthy photographs I clearly remembered from various professors’ slideshows, and the pictures so often imitated that seeing the originals came as a shock: they were all there. I later learned (from Met Photography curator Jeff Rosenheim’s opening remarks back at Symphony Space) that this was the first time in the fifty years since Frank made “The Americans” that he’d allowed all 83 images to be displayed in sequence. Even the extras were interesting: Frank’s slipshod contact sheets and a wall of work-print collages (ah, so that’s why my professors always told me to start with work-prints). Read More »



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